September 7 – October 6, 2018
Sobranie Cocktail
Benedikte Bjerre, Delphine Chapius Schmitz, Maren Dagny Juell, Julien Prévieux, Morgane Tschiember and Sergio Verastegui
Curated by
Julia Cistiakova and Ekaterina Shcherbakova
PS3
Exhibition overview
Morgane Tschiember
series Poster, 2014
Apart When There Is Desire, 2018
Delphine Chapius Schmitz, Notes / notes / Notizen (I am nothing but fragments), 2018
Benedikte Bjerre, Lisa's chickens (Farm Life), 2016
Maren Dagny Juell, Tutorial#10, Every Team Member, 2017 (video)
Benedikte Bjerre, Lisa's chickens (Farm Life), 2016
Sergio Verastegui, Going Nowhere, 2018 (mirror box)
Delphine Chapius Schmitz
Notes / notes / Notizen (I am nothing but fragments), 2018
Morgane Tschiember
Apart When There Is No Desire, 2018 (sticker) 338x16cm
Julien Prévieux
Non-Participation Letter, 2018 (ink print on A4 paper)
Morgane Tschiember
Series Poster, 2014 (print on paper, 60x80cm)
The exhibition Sobranie Cocktail comes from a discussion between the participants on better work issuing from the given conditions. The exhibition on how to make a better exhibition passes through an attitude of non-productivity and results in the assembly of individual responses.
The definition of better work results and processes is specified by various technological and social realms. Confronting the technological and manual DIY consciousnesses, fading borderline between work and leisure, manifesting the disappearance of the author, the exhibition sets up an issue of better working conditions in art within the broader social context. A series of non-works fosters the productivity and usability of free time, seeks the limits of procrastination, and questions the utility of deconstruction. Exposing the pre-production elements, honoring side-effects and leftovers, scrutinizing the materiality of time, are all the processes that form the spatial discourse of the exhibition.
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Images: Dienstgebäude, Eline Tsvetkova
© 2018 DIENSTGEBÃUDE |
